Producing/Mixing
& Mastering Blog
Forget the tech talk — or at least most of it.
This is about the art behind the mix, the instinct, the vibe that makes music real, and the spark that sets you apart.
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In today’s music industry, the difference between a good track and a truly great one often comes down to the final steps of the production process. Mastering is that crucial last stage—a subtle but transformative art that can elevate your music to a professional, competitive level. Yet, many artists underestimate its importance or try to cut corners by mastering their own tracks. In this article, I’ll explain why professional mastering services are essential, what you actually gain from them, and why investing in this process pays off in the long run.
What Is Mastering, Really?
Mastering is the final step in music production before your track is released to the world. While mixing focuses on balancing individual elements within a song, mastering is about perfecting the overall sound and ensuring consistency across all playback systems. It’s the process that gives your music that polished, radio-ready quality—making it sound just as good on a car stereo as it does on high-end headphones.
Professional mastering engineers use a combination of technical expertise, specialized equipment, and finely tuned ears to:
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Balance frequencies for clarity and warmth
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Optimize loudness without sacrificing dynamics
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Enhance stereo width and depth
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Eliminate unwanted noise or artifacts
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Ensure your track meets industry standards for streaming, radio, and physical formats
Why DIY Mastering Falls Short
With so many plugins and affordable software available today, it’s tempting to try mastering your own tracks. However, there are several reasons why this approach rarely delivers the results you’re hoping for:
1. Lack of Objectivity
After spending hours, days, or even weeks on a track, your ears become accustomed to its flaws. A professional mastering engineer brings a fresh, objective perspective—spotting issues you might have missed and making decisions that serve the song, not just your preferences.
2. Specialized Tools and Environment
Mastering studios are designed for critical listening, with acoustically treated rooms and high-end monitoring systems. These environments reveal details that typical home studios simply can’t. Plus, professional engineers have access to industry-standard analog and digital tools that go far beyond what’s available in most DAWs.
3. Experience and Expertise
Mastering is both a science and an art. It requires years of training, critical listening, and a deep understanding of how music translates across different playback systems. Professionals know how to achieve loudness without distortion, maintain dynamic range, and create a cohesive sound that stands up to commercial releases.
The Benefits of Professional Mastering
So, what does professional mastering actually bring to your music? Here are some of the key advantages:
1. Consistency Across All Platforms
Whether your fans are streaming your music on Spotify, buying it on iTunes, or playing it on vinyl, mastering ensures your tracks sound great everywhere. Professional mastering engineers understand the technical requirements for each format and optimize your music accordingly.
2. Competitive Edge
The music industry is more crowded than ever. High-quality mastering gives your tracks the punch, clarity, and polish needed to stand out—whether you’re pitching to playlists, radio stations, or record labels.
3. Increased Listener Engagement
A well-mastered track is simply more enjoyable to listen to. Clean highs, deep bass, and a balanced midrange keep listeners engaged from start to finish. This can lead to better streaming numbers, more shares, and a stronger fanbase.
4. Professional Credibility
If you’re serious about your music career, professional mastering signals that you value quality and are ready to compete at the highest level. It’s a mark of professionalism that industry insiders and fans alike will notice.
5. Saving Time and Stress
Mastering can be a time-consuming and frustrating process if you’re not experienced. By trusting a professional, you free up time to focus on what you do best—creating and performing music.
What to Look for in a Mastering Engineer
Not all mastering services are created equal. Here are a few things to consider when choosing a professional:​
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Personalized Approach: Your music is unique. Choose an engineer who listens to your vision and provides tailored feedback.
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Transparent Communication: The best engineers are happy to answer your questions, explain their process, and offer revisions if needed.
The Gate Music: Mastering with Passion and Precision
At The Gate Music, I bring over 15 years of experience as a mixing and mastering engineer, working with artists across genres and backgrounds. My mission is to help you unlock your unique sound and reach your full potential. Every project is a personal collaboration—I take the time to understand your artistic vision and ensure you’re thrilled with the final result.
I use both modern technologies and classic analog tools to deliver mastering that’s clear, powerful, and true to your style. Whether you’re an emerging artist looking to break through or an established musician seeking a fresh edge, I’m here to support your journey.
Ready to Take Your Music to the Next Level?
Don’t let your hard work fall flat at the final hurdle. Invest in professional mastering and give your music the clarity, impact, and professional finish it deserves. If you’re curious about how mastering can transform your tracks, I invite you to reach out for a free initial consultation. Let’s work together to make your music shine.
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If you want mixes that sound big, emotional and truly professional, the work starts long before mixing. It starts with clean, intentional, and well‑prepared audio at the production stage. The cleaner and more confident your source material, the more your song will breathe, translate and move people—on every system.
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Here are the three pillars that make the difference.
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1.Mastery and confidence of the artist
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A huge sound comes from a great performance—full stop.
That only happens when the artist has 100% command over
their instrument or voice.
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Muscle memory first, magic second: When the part is fully internalized, the artist can focus on emotion, dynamics, timing, and feel—instead of “figuring out” what to play or sing in the studio.
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Fewer takes, more soul: Confident performers deliver consistent takes faster. That keeps energy high and leaves room for creative choices, harmonies, doubles, and textures.
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Groove locks in: Tight timing and control reduce editing needs and preserve the natural groove that makes a song feel alive.
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Perfectly maintained instruments and a healthy voice: Clean audio starts with healthy sources. Faulty mechanics, dead strings, or a tired voice create noise and problems you can’t “fix in the mix.”
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Guitars/Bass/String Instruments: Fresh strings, intonation set, no scratchy pots or buzzing jacks. Stable tuning saves hours and keeps takes usable.
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Drums: New heads, tuned properly. Pedals and hardware should be quiet—no squeaks or rattles.
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Keys/Synths: No crackling outputs, reliable power, proper gain staging.
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Vocals: A well‑rested, hydrated, warmed‑up voice. Avoid dairy, alcohol, and late nights before the session. Bring tea, water, and do gentle warmups.
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Cables/Power: Clean signal paths matter. Bad cables = clicks, hum, frustration.
Result: You capture clean, strong transients, consistent tuning
and rich harmonics - the raw materials of a “record‑ready” sound.
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2. A clear sonic vision before the session Going into the studio
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With a defined direction makes everything faster, more focused, and more “you.”
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Guitarists: Decide on the vibe—tight modern high‑gain, crunchy vintage, jangly clean, or warm edge‑of‑breakup. Bring reference tones.
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Vocals: Intimate and close, or bold and energetic? Dry and upfront, or atmospheric with space? Share a few reference tracks.
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Drums: Tight, punchy, and controlled, or roomy and explosive? Click or no click? Brushes vs. sticks?
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Arrangements: Know the core arrangement. If you want layers, plan where they add emotion rather than clutter.
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3. Vision doesn´t limit your creativity - it accelerates it
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With a plan, you reach “the sound in your head” faster and with more intention.
Production checklist before recording
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Rehearsal: Every part is 100% solid at tempo. Practice with a click if you’ll record to one.
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Instruments: Fresh strings/heads, tuned and intonated; pedals and hardware serviced; no noisy electronics.
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Voice: Sleep, hydrate, warm up; plan breaks to protect vocal stamina.
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Gain staging: Set healthy levels, avoid clipping at the source.
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References: 2–3 songs per instrument that represent the target vibe.
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Session flow: Decide song order, take strategy (full takes vs. sections), and comping approach.
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Why this makes your mix shine?
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Less heavy editing = more feel preserved.
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Cleaner takes = fewer artifacts and better translation on all systems.
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Consistent tuning and timing = bigger, punchier mixes.
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Clear direction = faster decisions and a final result that matches the artist’s vision.
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Bottom line
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Great mixes are built on great recordings!
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When artists arrive confident, instruments are in top condition and
the sonic target is clear, the production becomes smoother, faster and far more musical.
That’s how you get records with size, clarity, and soul.
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Want help preparing your next session?
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I offer a free initial consultation to define your sonic direction, prep your instruments/voice checklist, and plan an efficient, creative recording day.
If you want your next track to sound exactly like you envisioned—let’s set it up right from the start.
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Most artists think: “Tracking is done - now it’s time to mix.”
In reality, there’s a crucial phase in between: post-production.
This is where you prepare the audio for mixing - editing, cleaning, and organizing the material so the mix can actually shine.
"Just like production and recording, post-production lays the foundation for a clear, powerful, and competitive sound."
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Why post-production matters.
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Noise becomes bigger in the mix: Compressors, EQs, and saturation don’t just enhance your signal - they also enhance clicks, pops, hum, and bleed. If the junk stays in the files, it gets amplified later.
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Timing and tuning = punch and polish: Small performance inconsistencies add up. Tightening them preserves groove, phase, and impact.
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Faster, better mix decisions: Clean, well-organized sessions let the mixing engineer focus on tone and emotion - not firefighting problems.
​​​Core tasks in post-production
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Cleaning and noise control
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Strip silence in quiet sections to remove floor noise, headphone bleed, amp hiss.
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Cut out clicks, pops, digital glitches, and mouth noises.
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Crossfade all edits to avoid ticks and ensure natural transitions.
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De-ess harsh vocal consonants where needed (pre-mix light control)
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Tight editing and comping
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Choose the best takes and build clean comps.
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Replace weak moments with proven strong ones: e.g., if bar 3 of verse 2 on the left guitar is loose, copy the tight bar 3 from verse 1 and crossfade seamlessly.
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Maintain natural feel - edit for musicality, not robotic perfection.
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Timing alignment
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Bass: Nudge late/early notes to lock with the kick and groove.
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Drums: Tighten hits where necessary; preserve ghost notes and dynamics.
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Rhythm guitars/keys: Align strums/stabs to the groove to avoid phasing and flamming.
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Vocal preparation
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Light, musical tuning where needed (transparent is the goal).
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Consistent clip gain so phrases hit compressors evenly later.
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Remove plosives, reduce harsh breaths, and manage sibilance lightly.
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Session organization
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Name tracks clearly; color-code by groups (drums, bass, guitars, vocals, FX).
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Consolidate and export files from bar 1 so everything lines up perfectly.
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Print committed sounds when intentional (amp tones, key creative FX).
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Provide BPM, sample rate/bit depth, and a rough reference mix.
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How skipping post-production hurts your mix
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More noise, less clarity: Artifacts get louder with every stage - compression, EQ, limiting.
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Smear and phase issues: Loose doubles and untight rhythms create frequency “mush.”
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Slower mixes, weaker results: The mixer spends time cleaning instead of crafting a sound.
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Your pre-mix checklist
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Clean: Silence noise between phrases; remove clicks/pops; crossfade edits.
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Tight: Align bass, drums, and rhythm instruments for pocket and punch.
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Tuned: Tasteful vocal tuning; de-ess harshness; manage plosives and breaths.
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Organized: Clear naming, color coding, consolidated files, tempo info.
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Intentional: Include references and any creative commits that define the vibe.
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Bottom line
Post-production is the final quality gate before mixing. It’s where you turn raw recordings into “mix-ready” tracks - clean, tight, and intentional. Do this well, and your mix will be clearer, punchier, and more emotional. Skip it, and you’ll fight noise, mush, and inconsistency all the way to the master.
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Want your tracks truly mix-ready?
I offer post-production as a dedicated service: editing, cleanup, timing/tuning, and session prep - so your mix translates big on every system. Book a free initial consultation and let’s get your session ready to win.
Mixing is so much more than plugins, EQs, and compressors. It’s a creative, intuitive process where emotion and joy should be at the center—not just technical routines.
An Experience That Changed Everything
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Back when I started out as a mixing engineer in Berlin, I was working on a remix of Lana Del Rey’s “Westcoast” for Universal Music. As the Senior Director of A&R and Marketing listened to my mix, he said something that stuck with me ever since:
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“The mix sounds like it took a lot of effort and hard work.
But it should sound like joy - is if it was fun to mix.”​
At first, I was surprised. I thought effort was a good thing! But he was right. The mix was technically perfect, but it didn’t feel alive—it didn’t sound like music that moves you.
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From Pressure to Lightness
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I took a day off, spent time with my family, and let go of the pressure. The next day, I approached the mix with fresh energy—bolder, more intuitive, with more joy and fewer rules. I celebrated the music, vibed in the studio, and made decisions that simply felt right.
The result? The next version had soul. The A&R instantly noticed that the mix now carried a sense of joy.
The Real Task of a Mix
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A good mix needs to be more than just correct. It should carry emotion, deliver the song’s message clearly, and draw listeners in. Of course, technical knowledge and experience are essential—but that’s just the foundation. The magic happens when you let go and trust your intuition.
Many of the greatest songs in music history aren’t technically perfect—and that’s exactly what makes them unique.
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Mixing with Heart
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We live by feelings—and that’s how our mixes should sound. A mix should be fun to make and to listen to. It should transport emotion and give artists the sense that they’re truly understood.
Less industry standard, more personal compass: That’s how you create mixes that touch people—and last.
My plea: Let’s bring the focus in mixing back to feeling—and not just technique.
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Last week, we talked about mixing with feeling. Today, let’s take it a step further: Mixing with intention.
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Mixing isn’t just about capturing emotion—it’s about making conscious, meaningful decisions at every step. Too often, especially for less experienced engineers (and I was no different when I started!), plugins and gear are added out of habit or hype, not because the song truly needs them. “It has to be the Neve EQ,” “The SSL Bus Compressor is a must”—we’ve all been there.
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But here’s the truth: That approach often makes things more complicated than they need to be. Before you touch a single plugin, you need to listen—really listen.
Start with Listening, Not Tweaking
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Set up your session, import all tracks (with clear naming—trust me, you’ll thank yourself later), and first listen to the reference or rough mix from start to finish. Don’t skip this step! Let your ears get used to the sound the artist wants. Only after you’ve listened all the way through, open your session (or mute the reference track if it’s already open), and—this is the hardest part—press play and do nothing.
Seriously, keep your hands off the controls. No EQ, no quick fader moves, no plugins on verse two just because you feel you “should” be doing something. Just listen. This first listen is crucial. It’s where you’ll hear the session with the most objectivity, where you’ll spot both the weaknesses and the strengths, and get a sense of how close your client already is to their reference.
Sometimes, you’ll realize that certain parts just aren’t right for the song—maybe there’s clipping, or a performance that doesn’t fit the vision. For example, if a client wants their track to sound like Barry White—intimate, upfront, silky vocals—but the performance is more like a drunken pirate after a storm, no amount of mixing will get you there. In these cases, be honest: suggest a grittier mix vibe, or ask for a new vocal take.
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The Power of a Second Listen and Roadmapping
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On your second listen, start taking notes. Where are the problem spots? Which tracks are already strong? Where are there frequency or dynamic issues? What needs editing? Where could effects help? Write everything down. This roadmap isn’t about restricting your creativity—it’s about giving you clarity and direction, so you don’t get lost or distracted once you start working.
Yes, this process takes time. But that’s what separates beginners from pros. Think of it like craftsmanship: An amateur starts cutting and drilling right away, only to realize halfway through that they’re missing tools or made a mistake. A pro spends time prepping, measuring, and planning—then works smoothly, efficiently, and with better results.
The same goes for mixing. Preparation and intention make your workflow smoother and your decisions stronger. Once you have your roadmap, you’re free to be creative—you’re not worrying about what to do next, you’re simply making the best choices for the song.
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Mixing: Where the Song’s Heart and Message Come Alive
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Mixing is where the soul of the song and the artist’s individuality truly come forward. A great mix isn’t just technically clean or emotionally powerful—it’s also clear in its message. The mix should make the song’s intention obvious to the listener.
Let’s say you have a deeply emotional song. Maybe you want a long, lush reverb on the vocals for intimacy. But if the track is also fast-paced, that same reverb could drown the mix and kill the energy. Instead, a shorter reverb with a longer pre-delay might give you the feeling you want without muddying the track. Every instrument, every effect, every move should serve a purpose—supporting the emotion and the intention of the song.
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Mixing with Feeling and Intention
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If you mix with both feeling and intention, you’ll find your results are stronger, your clients are happier, and the music connects more deeply with listeners. You’ll also avoid the trap I’ll talk about in next week’s blog: Mixing with too much of your own personality and not enough of the artist’s. But more on that soon!
Until next week, friends—enjoy creating timeless masterpieces.
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Hardware or Plugins? Full Analog or In the Box?:
Why It’s Not About the Gear
This question comes up all the time: Do you need expensive analog gear and a big studio to make world-class records? Or can you get pro results mixing and mastering completely “in the box” (ITB) with plugins?
The answer is actually simple: Use what you have. If you’ve got access to great hardware, by all means, use it! But you absolutely don’t need a million-dollar console or racks of vintage gear to make amazing music. And here’s why.
Modern Tools, Modern Results
Today, we have access to incredible equipment—much of it affordable—that lets us create audio on par with anything you hear on the radio. You can record, mix, and master ITB and get fantastic results. The real secret? It’s not the gear that makes the magic—it’s the engineer.
A beginner could sit in the world’s best studio and still get weak, distorted recordings. An experienced engineer can make chart-topping tracks in a less-than-ideal setup. The skills, ears, and vision behind the desk matter far more than the price tag of the equipment.
But Don’t Ignore the Analog World
Just because we have amazing plugin emulations doesn’t mean analog gear is obsolete. In fact, analog still has a few unique qualities—especially when it comes to how it handles audio signals.
Here’s what I mean:
In the analog domain, signals are represented in a continuous, infinitely smooth way. When you push analog gear, it responds with natural harmonic distortion—those “musical” overtones that add punch, character, and energy. Many engineers use this to make tracks sound more powerful and interesting.
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I remember mixing on a Neve console for my audio school final. The mix sounded huge—tons of power, clarity, and vibe. Everything was in the green on the channel strips, or so I thought. My instructor loved it too. But after the test, we realized the meter bridge was only showing input, not output. When we switched to output, every meter was slammed into the red—pegged at max for the entire track!
We were both shocked. But when we pulled the levels back to “normal,” the mix fell apart—no more punch, no more excitement. What made that sound was the sheer amount of analog harmonics. That’s the analog mojo.
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Try that in the digital world, though, and you’ll get harsh, ugly digital clipping—no musicality, just pain. In digital, when you go over 0 dBFS, the signal gets chopped off, replaced by unpleasant, artificial noise. Digital has its own rules.
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The Perfect Setup? Hybrid Wins
So, what’s the best approach? For me, it’s hybrid:
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Track with great analog gear: Use high-quality preamps, mics, and instruments; shape your sound with EQs and compressors during recording. Capture as much vibe and character as you can on the way in.
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Mix and edit in the box: Once you’ve got those beautiful analog tracks, bring them into your DAW. Take advantage of unlimited plugins, automation, recall, and editing tools. You’ll get the best of both worlds—analog warmth and digital flexibility.
Digital’s biggest strength is recall and flexibility. You can have unlimited EQs, effects, and dynamics, and open your session any time—no need to spend hours recalling console settings. Editing is faster and more visual than ever. Trust me, I learned to cut crossfades on reel-to-reel tape—analog is fun, but it’s also a ton of work (and sometimes, a ton of frustration).
Everything Has Its Place
Outboard gear, expensive hardware, plugins, DAWs, budget interfaces—they all have a role. You can make killer sounds with any of them. The limitations aren’t in the analog or digital world—they’re in our imagination.
So, use what you have. Embrace the strengths of both worlds. The only thing that matters is the music you create.
Go out there and make something amazing.​
Mixing with Too Much Personality:
and Too Little of the Client’s
We’ve all been there: You get a track from a client and think, “I could make this better.” Maybe you want to add a tape stop in the break, mute the guitar in the second verse for a cooler vibe, or completely rework the arrangement. And honestly, maybe your ideas would make the song “perfect” - in your own eyes (and ears).
But that’s exactly where the mistake lies: “In your own eyes.”
A Lesson Learned the Hard Way
Let me share a story from the very start of my mixing career. One of my first clients brought me a 12-track electronic album to finish. For every single track, I had “the idea”—the perfect sound, the perfect effect, the perfect arrangement tweak. I spent hours replaying parts, adding my own sounds, and positioning instruments in new ways.
When I was done, I was convinced: This was Grammy-worthy. I couldn’t wait to show my client.
But after listening, he was totally disappointed.
I asked what he didn’t like and got ready to take notes. But what he said was:
“Nothing. Everything sounds cool, the effects are great, but it doesn’t sound like me anymore. I don’t recognize any of my songs. If I had to perform these now, I’m not even sure I’d feel comfortable.”
That was a strange moment. He liked what he heard, but he couldn’t identify with it.
The Takeaway
So what’s the lesson? Should you never follow your instincts or try to improve a song? Of course not. We should always bring our A-game and go the extra mile to deliver something great. But we must always put the artist first, not ourselves.
Use every tool and trick you have, but always communicate with the client, especially if you’re changing the sound or arrangement. These changes can have the biggest impact on the vibe and feeling of a song.
Making changes without approval can backfire. In the worst case, the client might even pull the project because they feel you don’t understand their sound or style.
Remember Your Role
As mixing engineers, we usually have less influence on the overall production and structure of a song. Yes, we can add creative touches and push a track forward, but our vision must always align with the artist’s, the client’s, or the label’s.
The artist wrote the song, their feeling is what we present to the fans.
Our main job is to make the artist sound as good as possible, using everything at our disposal.
Writing, arranging, producing, and recording are the artist’s, producer’s, and recording team’s domain. The mix should not become a second production phase. Otherwise, you’ll end up making endless changes, wasting time, and draining everyone’s energy.
You can easily mix the vibe out of a song until no one, including the artist. wants to hear it anymore.
How to Avoid This Trap
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That’s why notes and roadmaps (as I described in earlier posts) are so important, especially when working with a new artist or label, or if you’re early in your mixing career.
Planning together gives you security in your choices and protects both you and the artist from bad decisions and wasted time.
But it’s also important to trust your own ear and intuition, that’s why clients choose you! They want your taste and your unique sound. The key is to balance your instincts with the artist’s vision and identity.
If you can do that, your results will be faster, more intuitive, and simply better. You’ll also grow as a mixing engineer, because the ability to bring everything into harmony and let the artist shine is what sets a top-tier engineer apart.
Final Thoughts
Mixing is about technique and skill, yes, but also about creativity and intuition.
Always communicate your ideas with the artist or label.
Remember:
Even though it’s always about the artist, it’s your unique taste and mixing style that make you valuable.
Just keep in mind:
It’s always about the artist first, so they can fully identify with their work and feel comfortable sharing it with the world.
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The Mystery of Pro Engineers:
What Truly Sets the Best Apart
In the past weeks, I’ve shared how small details, personal touches, and tools like a mixing roadmap can take your mixes to the next level. You might have noticed I’ve intentionally left out the usual “tech tips” like “boost 50–60Hz on the kick, cut 250–350Hz, add 5kHz” and so on. There are already more than enough videos and tutorials out there with that kind of advice—ranging from “don’t ever do this!” to “this is pure gold!”
But here’s the thing: very few people talk about the real challenge.
Yes, you need technical knowledge. Yes, you have to constantly adapt as new methods, tools, and workflows come out. Building your technical skillset is a big part of becoming a great engineer. But that’s only 50% of the job—especially in mixing and production (maybe a bit less so in mastering, where technical precision is king).
The Other 50%: The Mysterious Art
So why do some engineers seem to play in a completely different league? Is it just because they live in bigger cities, have better contacts, or got lucky? Sure, those things help. But the real reason is much deeper.
Let’s look at some names - not-so-famous - who’ve shaped the sound of modern music:
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David “Yungin” Kim: Multi-platinum, two-time Grammy winner, mixed for Nas, Travis Scott, Ariana Grande, Post Malone, and more. Yet, few outside the industry know his name.
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Matthew “Matt” Sim: Based in Hong Kong, 2,700+ credits, 8 billion streams, worked with every major label, and yet, mostly unknown to the public.
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Patrizio “Teezio” Pigliapoco: 44× platinum, Grammy winner, mixed hits for Chris Brown, Lil Nas X, Jack Harlow, Coi Leray, and Gunna—but still, not a household name.
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Derek “MixedByAli” Ali: Helped shape Kendrick Lamar’s sound, three Grammys, eight nominations, and a key figure behind the scenes.
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Josh Gudwin: Justin Bieber’s go-to mixer, worked with Bad Bunny, Dua Lipa, and more—five Grammys, but still mostly behind the curtain.
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Ebonie Smith: Producer/engineer for Atlantic Records, worked on “Hamilton,” Sturgill Simpson, Janelle Monáe, Cardi B, and more. She’s won a Grammy and champions diversity in music production.
What do all these engineers have in common? It’s not just location, luck, or connections. It’s something else—a skill that’s harder to teach, but essential to master.
The True Secret: Understanding and Serving the Artist
Once you’ve built your technical skills (and you will, with time and practice), you’re on the same technical playing field as these top engineers. So why do they still seem miles ahead?
It’s because they know how to listen—really listen. They understand the artist, the project, and the vision behind the music. They know how to bring out the emotion the artist felt when writing the song, and let the artist shine like the brightest star in the sky. They put their own ego and intentions behind those of the artist, and create a sound world that both the artist and their fans can connect with—something both can be proud of.
Sometimes, these “masterpieces” aren’t technically perfect. They might have quirks: a weird ringing snare, an unbalanced stereo image, a squeaky kick pedal, background chatter, or even accidental phasing. But these little imperfections are what make music unique and alive. They’re the result of decisions made in the moment, based on feeling—not just what’s “correct” on paper.
When to Be Technical, and When to Be Human
The internet is full of tips about which EQ settings to use, where to put your reverb, whether to cut before boosting, and so on. But many of those tips come from people who aren’t actually in the business, or who haven’t had real success. They might sound convincing, but their advice often leads to average results.
That’s why I always recommend learning from real pros—people like David Gnozzi (Mixbus TV), Warren Huart (Produce Like a Pro), Fab Dupont, Andrew Scheps, Michael Brauer, and others. These are engineers with decades of experience and proven track records. And do you know what they all say? “It depends on the source.” Andrew Scheps might show you how he EQ’d Adele’s vocal on one track, but he’ll also tell you he’d do it differently for another singer on the same song.
The goal is always a brilliant result—the path there is different every time.
What Sets the Pros Apart
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The real difference is knowing when to be technical, and when to stop and just feel. It’s about understanding the artist, the song, and the moment. The best engineers know how to balance their own skills and intuition with the vision of the artist.
Final Thoughts
Yes, mixing is about technique and skill. But it’s also about creativity, empathy, and serving the song. The best engineers bring their own personality—but only as much as it serves the artist. They make decisions that might not be “perfect” by the book, but are perfect for the music.
So next time you mix, remember: It’s not about being the most technical. It’s about being the most musical, the most understanding, and the most supportive of the artist’s vision. That’s the real mystery—and the real magic—of pro engineers.
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Contact
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The Gate Music
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Callenbergerstraße 9, 96450 Coburg,
GermanyPhone: +49 152 54077844
Email: Fabio@thegatemusic.com
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